Touch

Design by Malina Reber

A wood-panelled room consumed 

By habitual noise and ochre

As the sounds of rain seep through layers 

Of wall and building

Until the wood itself is 

Expanding and contracting

Over and over again

Like a march of a distant army

Approaching to conquer me

Like it always does.

.

And I am blanketed in cloths, becoming

Shapeless under it all. 

Still, I am somehow shivering.

.

The faintest trails 

Of moonlight peek through 

A gap just out of reach.

I can dream the details 

Of my hand, 

My body, 

Without truly seeing, like always

.

I begin to touch myself all over.

My hands tracing the soft issue, 

Marching across valleys and hills,

Looking for my bones, 

For my muscles, 

And then finally my fat.

.

I am a god, shaping myself, 

Molding out of celestial clay a

Form through the darkness.

Form from formlessness. 

Beauty bestowed on the banal.

Shape shot through shapelessness.

.

And as my fingers carve my body,

I imagine an outline that’s prettier. 

And when I think like this, 

I like to touch my boniest parts, the parts I cannot fix: 

My collarbone,

My hips, 

My wrists, 

My knees, 

Until I’ve run out. 

Trace and trace

And trace and trace.

And in the morning, 

I’ll make sure that I give myself 

More parts to trace at night,

Growing the prolificity of my skeleton.

.

After, I will stare at my water-stained ceiling,

Revealing time spent and lost.

Think how 

It’s so weird that everything is becoming,

How all I wish is to freeze time, to have

Some forever stillness

Where everyone is alone again, 

Put back in some prelapsarian womb, 

Existence erased. 

.

I miss warmth. 

My fingertips lose sense 

As the feeling falls to a fleeting temporality.

Sensation:

.

A memory too distant to place. 

And when I get like this, 

I become cold and ceaselessly empty. 

So, I’m sorry. 

I’m sorry.

I’m so sorry.

Lucas Castillo-West
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