DEAD BIRDS don’t fly

Design by Claire SooHoo.

                           after Ocean Vuong’s “The Gift” 

3.14 3.14 3.14 

 

Their minds begin to wander. 

So we try again: 

 

3.1415 3.1415 3.1415 

 

a curl, a braid, a dreadlock—cut 

from the diameter 

& branded on their throats. 

 

Even now, the cast iron jewelry 

will not leave their wrists: synthetic resin, 

ethylene glycol, manganese, terephthalic acid, limestone cement & sweat gleaming 

through their orange 

DOC: 3.14159 jumpsuits. 

 

2π 2π 2π 

 

Every misspoken breath 

is condensed 

on the discoid lens 

of the substitute. 

Their name, recited off 

a diploma & abandoned 

with the mispronounced: 

absent* absent* absent* absence. 

He says he cannot see 

or read stories 

but neither can they. 

 

So the rest pick up the pen, 

& write till the chairs stay put 

& write till the pages taste of salt, 

mucins, lipids, & 1,500 proteins.

We cry together. 

 

2πr 2πr 2πr 

 

Lower your voice, he says 

yet the room murmurs, chambering the carbon light bulb dancing 

above their heads, whining for 

replacement. While quartz-halogen rotating beacons rust terror 

red and shackle blue. 

 

Hands up, as the bell rings, & 

books take flight 

                        down 

striking the earth. Because 

          dead birds 

can’t fly. 

 

2πr/d 2πr/d 2π—the pen breaks 

 

The radius bursting its belly 

as dark ink seeps 

through Geometry 2/Section 4.7 

 

Don’t move, he says, as he picks 

the bullet cone of metal 

from the transparent carcass, slides it back

between their fingers 

only to be lost in a plastic bin 

Again. & again 

 

I see it, the curl, braid, & dreadlock ensconced

in the tethers of the rug. interwoven & stepped on 

by the souls of our feet. 

 

π π π

Amaré Fields
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