Reviews Nic Cage: Your Worst Nightmare December 3, 2023December 3, 2023 by Aidan Thomas Napoleon: A Weird, Horny Man-Baby of a Film December 3, 2023December 3, 2023 by Will Sussbauer L’chaim, L’chaim to Fiddler on the Roof: A new look for a ‘traditional’ play December 3, 2023December 4, 2023 by Joshua Bolchover and Judah Millen “Lovin On Me:” Jack Harlow’s Newest Chart Topper December 3, 2023December 3, 2023 by Victor Attah Harold Recommends (November 12th, 2023) November 12, 2023November 12, 2023 by Yale Herald Bring On the Tears: The Cathartic Sorrow of Wong Kar-wai’s Fallen Angels November 12, 2023November 12, 2023 by Bella Panico The Yale Free Press: A Midterm Critique November 12, 2023November 12, 2023 by Etai Smotrich-Barr To Watch or Not to Watch, That is Our Question November 5, 2023November 7, 2023 by Judah Millen and Joshua Bolchover Sorry I Didn’t Like 1989, Does That Mean I’m Not A Feminist? November 5, 2023November 5, 2023 by Natalie Semmel Harold Recommends (November 5th, 2023) November 5, 2023November 5, 2023 by Yale Herald Reviews: Saved!, Frankenstein, Halloween Music October 29, 2023October 29, 2023 by Yale Herald Review for Wish You Were Here October 24, 2023October 25, 2023 by Judah Millen and Josh Bolchover Javelin by Sufjan Stevens: A Story of Desire, Death, and Existential Dread October 15, 2023October 15, 2023 by Emily Aikens Do Not Waste Three Hours of Your Life Watching This Critically Well-Received Movie October 15, 2023October 15, 2023 by Avery Wayne Take a Deep Breath: Gareth Edwards’s The Creator October 8, 2023October 28, 2023 by Aidan Thomas Chap’s Grille October 8, 2023October 8, 2023 by James Han and Hardy Eville Exploration: LIVE! Champions the Explored Life October 8, 2023October 8, 2023 by Elijah Bacal Hate Before Love: A Retrospective on When Harry Met Sally October 1, 2023October 1, 2023 by Jessica Sánchez The Problem with Problématique October 1, 2023October 1, 2023 by Hannah Szabó Reaching Toward Collectivity in “The Land is Inhospitable and So Are We” September 24, 2023September 24, 2023 by Harper Love What About Cinema? September 24, 2023September 24, 2023 by Anna Kaloustian Bottoms: Sex and Football Are All You Need September 24, 2023September 24, 2023 by Will Sussbauer Pho Ketkeo September 24, 2023September 24, 2023 by James Han and Hardy Eville The Equalizer 3 Is Up to Familiar, Brutal Tricks September 17, 2023September 17, 2023 by Aidan Gannon Olivia Rodrigo Spills Her GUTS September 17, 2023September 17, 2023 by Maia Nehme Mommy’s Favorite Movies April 30, 2023September 10, 2023 by Natalie Semmel Flash Reviews: UR MOM April 30, 2023April 30, 2023 by Yale Herald Netflix’s Beef is Overcooked April 30, 2023April 30, 2023 by Margaret Sun Harold Recommends (April 30, 2023) April 30, 2023April 30, 2023 by Yale Herald Harold Recommends (April 23, 2023) April 22, 2023April 23, 2023 by Yale Herald Against “The Defense of The Super Mario Bros. Movie” April 22, 2023April 23, 2023 by Dylan Gunn Tyler Recommends April 17, 2023April 17, 2023 by Tyler Watts Harold Recommends (April 16, 2023) April 15, 2023April 16, 2023 by Yale Herald Air is Already Your Dad’s Favorite Movie April 15, 2023April 16, 2023 by Aidan Gannon A Defense of The Super Mario Bros. Movie April 15, 2023April 16, 2023 by Ed Desciak Bite-Sized April 8, 2023April 9, 2023 by Yale Herald JPEGMAFIA and Danny Brown’s Experimental Masterpiece April 8, 2023April 9, 2023 by Victor Attah Love is Blind, But We Can See it All April 8, 2023April 9, 2023 by Ellie Atlee Harold Recommends (April 9, 2023) April 7, 2023April 9, 2023 by Yale Herald Natalie and Tyler talk about DYKTTATUOB April 3, 2023April 3, 2023 by Natalie Semmel & Tyler Watts Harold Recommends (April 2, 2023) April 3, 2023April 3, 2023 by Yale Herald A Transgenre Masterpiece April 3, 2023April 3, 2023 by Hannah Szabó Tyler Recommends March 5, 2023March 5, 2023 by Tyler Watts Desire, I Want To Turn Into You March 5, 2023March 5, 2023 by Madelyn Dawson Ambience and Space in This Stupid World March 4, 2023March 5, 2023 by Harper Love Harold Recommends (March 5, 2023) March 4, 2023March 5, 2023 by Yale Herald Brittle Fragments: Bob Dylan’s Time Out of Mind Reissued February 26, 2023February 26, 2023 by Theo Kubovy-Weiss The Last of Us: It’s the Fucking Apocalypse! February 25, 2023February 26, 2023 by Harry Greenblatt Harold Recommends (February 26, 2023) February 25, 2023February 26, 2023 by Yale Herald Paramore & A Post-Pandemic Planet February 25, 2023February 26, 2023 by Victor Attah The Existential Kaleidoscope of Infinity Pool February 18, 2023February 19, 2023 by Jessica Sánchez Triangle of Sadness: or the Emotional Tempest February 18, 2023February 19, 2023 by Anna Kaloustian All You Need Is Two Guys and a Dog February 13, 2023February 14, 2023 by Luis Gonzalez Missing Parts in Marys Seacole February 13, 2023February 13, 2023 by Philip Schneider Strella Review February 13, 2023February 13, 2023 by Michelle Marti Harold Recommends: Sex Edition February 13, 2023February 13, 2023 by Yale Herald It’s M3GAN’s World and We’re Just Living in It February 4, 2023February 5, 2023 by Aaron Magloire Fragmented February 4, 2023February 5, 2023 by Arthur Delot-Vilain The Modest Pleasures of Leo Egger’s Phaedo February 4, 2023February 5, 2023 by Lukas Bacho Harold Recommends (Feb. 5, 2023) February 4, 2023February 5, 2023 by Yale Herald James Cameron Soars (and Swims) in His Sci-Fi Epic Avatar: The Way of Water January 29, 2023January 29, 2023 by Aidan Gannon Harold Recommends (Jan. 29, 2023) January 29, 2023January 29, 2023 by Yale Herald Joni Mitchell Can’t Escape January 29, 2023January 29, 2023 by Theo Kubovy-Weiss Peeling Back the Layers of Glass Onion January 29, 2023January 29, 2023 by Yale Herald 2022 Projects You Slept On January 22, 2023January 22, 2023 by Bryan Ventura Nope January 21, 2023January 22, 2023 by Anna Kaloustian Would You Be Friends? January 21, 2023January 22, 2023 by Aidan Thomas Tyler Recommends January 21, 2023January 22, 2023 by Tyler Watts Soundtrack to the Apocalypse January 21, 2023January 22, 2023 by Madelyn Dawson A Play in a Language I Don’t Understand December 11, 2022December 11, 2022 by William Archacki Sweeter than Candy: A Review of “The Candy House” by Jennifer Egan December 11, 2022December 11, 2022 by Hannah Nashed Heroes and Villains: Metro Boomin’s Legacy-Cementing Masterpiece December 11, 2022December 11, 2022 by Evan Fowler Charold Recommends (Dec. 8, 2022) December 11, 2022December 11, 2022 by Yale Herald The Menu is a Deliciously Clever Commentary on Art and the 1% December 11, 2022December 11, 2022 by Aidan Gannon Black Panther: Wakanda Forever Is a Sprawling Meditation on Grief December 4, 2022December 4, 2022 by Aidan Gannon Adrienne Rich, Selfhood and Subjectivity: Alison Bechdel Comes to Yale December 4, 2022December 4, 2022 by Madelyn Dawson Harold Recommends (Dec. 1, 2022) December 4, 2022December 4, 2022 by Yale Herald Her Loss, Drake’s Win? November 12, 2022November 14, 2022 by Zach Morris Noah Kahan’s “Stick Season” Confronts the Complexities of Coming Home November 12, 2022November 14, 2022 by Anya Razmi Harold Recommends (Nov. 10, 2022) November 12, 2022November 14, 2022 by Yale Herald Harold Recommends (Oct. 8, 2022) November 6, 2022November 6, 2022 by Yale Herald Bob Dylan Turned to Blood November 6, 2022November 6, 2022 by Theo Kubovy-Weiss Midnights Ranked by an Insane Swiftie November 6, 2022November 6, 2022 by Grace Boyer The Redeem Team Is a Must-Watch for Enjoyers of The Last Dance November 6, 2022November 6, 2022 by Evan Fowler Harold Recommends (Halloween!) October 27, 2022October 27, 2022 by Yale Herald Simpsons “Treehouse of Horror Presents: ‘Not It’” October 27, 2022October 27, 2022 by Dylan Gunn The Falsity of A Smile October 27, 2022October 27, 2022 by Connor Arakaki Vampire Vibes: Bloodsucking Songs for Halloween October 27, 2022October 27, 2022 by Victor Attah Wow, Halloween Ends Really Badly October 27, 2022October 27, 2022 by Patrick Kho Album Review: CHARLIE is drama without depth October 16, 2022October 16, 2022 by Anya Razmi Harold Recommends (Oct. 13, 2022) October 16, 2022October 16, 2022 by Yale Herald Reviewing Late-Night Study Snacks at Yale October 16, 2022October 16, 2022 by Lila Pechter Marvel’s Werewolf by Night Offers Fun Thrills and Chills in a Sleek Package October 16, 2022October 16, 2022 by Aidan Gannon Björk on Mushrooms October 16, 2022October 16, 2022 by Theo Kubovy-Weiss Harold Recommends (Oct. 6, 2022) October 9, 2022October 9, 2022 by Yale Herald Gibbs’ Gamble October 9, 2022October 9, 2022 by Bella Panico 15 Years Later, The Bee Movie Gets A Perfect Grade (a B!) October 9, 2022October 9, 2022 by Adia Keene The Kardashian’s Kase for Therapy October 9, 2022October 9, 2022 by Jack Rodriquez-Vars On Lucy Dacus at College Street Music Hall October 9, 2022October 10, 2022 by Josh Atwater Cowboy Bebop & Space Jazz October 2, 2022October 2, 2022 by Bryan Ventura 1 2 3 Next
L’chaim, L’chaim to Fiddler on the Roof: A new look for a ‘traditional’ play December 3, 2023December 4, 2023 by Joshua Bolchover and Judah Millen
Bring On the Tears: The Cathartic Sorrow of Wong Kar-wai’s Fallen Angels November 12, 2023November 12, 2023 by Bella Panico
To Watch or Not to Watch, That is Our Question November 5, 2023November 7, 2023 by Judah Millen and Joshua Bolchover
Sorry I Didn’t Like 1989, Does That Mean I’m Not A Feminist? November 5, 2023November 5, 2023 by Natalie Semmel
Javelin by Sufjan Stevens: A Story of Desire, Death, and Existential Dread October 15, 2023October 15, 2023 by Emily Aikens
Do Not Waste Three Hours of Your Life Watching This Critically Well-Received Movie October 15, 2023October 15, 2023 by Avery Wayne
Hate Before Love: A Retrospective on When Harry Met Sally October 1, 2023October 1, 2023 by Jessica Sánchez
Reaching Toward Collectivity in “The Land is Inhospitable and So Are We” September 24, 2023September 24, 2023 by Harper Love
The Equalizer 3 Is Up to Familiar, Brutal Tricks September 17, 2023September 17, 2023 by Aidan Gannon
Brittle Fragments: Bob Dylan’s Time Out of Mind Reissued February 26, 2023February 26, 2023 by Theo Kubovy-Weiss
James Cameron Soars (and Swims) in His Sci-Fi Epic Avatar: The Way of Water January 29, 2023January 29, 2023 by Aidan Gannon
Sweeter than Candy: A Review of “The Candy House” by Jennifer Egan December 11, 2022December 11, 2022 by Hannah Nashed
Heroes and Villains: Metro Boomin’s Legacy-Cementing Masterpiece December 11, 2022December 11, 2022 by Evan Fowler
The Menu is a Deliciously Clever Commentary on Art and the 1% December 11, 2022December 11, 2022 by Aidan Gannon
Black Panther: Wakanda Forever Is a Sprawling Meditation on Grief December 4, 2022December 4, 2022 by Aidan Gannon
Adrienne Rich, Selfhood and Subjectivity: Alison Bechdel Comes to Yale December 4, 2022December 4, 2022 by Madelyn Dawson
Noah Kahan’s “Stick Season” Confronts the Complexities of Coming Home November 12, 2022November 14, 2022 by Anya Razmi
The Redeem Team Is a Must-Watch for Enjoyers of The Last Dance November 6, 2022November 6, 2022 by Evan Fowler
Marvel’s Werewolf by Night Offers Fun Thrills and Chills in a Sleek Package October 16, 2022October 16, 2022 by Aidan Gannon
15 Years Later, The Bee Movie Gets A Perfect Grade (a B!) October 9, 2022October 9, 2022 by Adia Keene
