Reviews BTS is Back. The Best is (Hopefully) Still Yet to Come. March 29, 2026March 29, 2026 by Kira Tang Body Horror, Bingeing and Nineteenth Century Nose Jobs: “The Ugly Stepsister” and “All Flesh” March 29, 2026March 29, 2026 by Hudson Warm Community Scrapbook: on Saniya’s Salon March 1, 2026March 1, 2026 by Will Sussbauer Marty Supreme is a Good Movie March 1, 2026March 1, 2026 by Max Peel “Wild Nights with Emily”: Historical Revisionism at its Most Charming February 22, 2026February 22, 2026 by Zoe Frost College Review February 15, 2026February 16, 2026 by Will Sussbauer Eye Contact, Exes, Ethics, and Overexertion: Wasians Take on Sex and Love! February 8, 2026February 8, 2026 by Irene Kim and Josephine Buruma Darcy Bursts from the Page—Literally—in “Most Ardently Yours” February 8, 2026February 8, 2026 by Hudson Warm “Naked As We Came”: Funeral, Romance, and Wardrobe Malfunction February 1, 2026February 1, 2026 by Eva Kottou “Heated Rivalry,” this Winter’s Unlikely Masterpiece February 1, 2026February 1, 2026 by Zoe Frost Freud, Formal, FaceTimes, and Funk January 25, 2026February 6, 2026 by Irene Kim and Josephine Buruma What Dating Used to Be: Rewatching Sex and the City December 7, 2025December 7, 2025 by Anna Siciliano “Sentimental Value” Asks “If These Walls Could Speak, What Would They Say?” November 16, 2025November 16, 2025 by Irene Kim The Knot of the Family in “Sentimental Value” and “New Wave” November 16, 2025November 16, 2025 by Asa Xiao Glaze and Grind Does Not Exist November 9, 2025November 9, 2025 by Cameron Jones And There Were Vampires Too! An “In Our Blood” Review November 2, 2025November 2, 2025 by Julian Raymond The Coldness of “Atlas Six” November 2, 2025November 2, 2025 by Anna Siciliano Geese: Mid Bird but a Killer Band October 26, 2025October 26, 2025 by Cameron Jones “The Life of a Showgirl” Falls Flat October 26, 2025October 26, 2025 by Zoe Frost The Life of a Showgirl: “Keep It One Hundred?” October 12, 2025October 12, 2025 by Steven Rourick “One Battle After Another” is As Good As It Gets October 5, 2025October 5, 2025 by Will Sussbauer A Good, Well-Brought Up Wife? Fuck You! October 5, 2025October 5, 2025 by Drea Cabral What I Learned from an Evening with James Murphy September 21, 2025September 21, 2025 by Lilly Price You Won’t Want to Watch “Boruto,” and You Should Blame Capitalism. September 14, 2025September 14, 2025 by Zane Glick To Kill or Not to Kill: Zach Cregger’s “Weapons” (2025) September 14, 2025September 14, 2025 by Julian Raymond I Reunite with Old Friends at Book Trader Café September 14, 2025September 14, 2025 by Irene Kim After Leaving “Jamaica Inn” September 7, 2025September 7, 2025 by Gillian Peihe Feng “Oh, Boy,” Sabrina Carpenter September 7, 2025September 7, 2025 by Elio Wentzel A Scandal So Abstract: A Review of “The Devil Wears Rothko” by Barry Avrich August 31, 2025August 31, 2025 by Hudson Warm A Dozen Voices Speak in Solo Play Every Brilliant Thing August 31, 2025September 3, 2025 by Aanika Eragam Fetch the Bolt Cutters Turns Five April 20, 2025May 5, 2025 by Theo Kubovy-Weiss We Miss You, Isaac Wood April 13, 2025April 19, 2025 by Theo Kubovy-Weiss Skrillex’s Latest EDM Banger Takes the Music Industry to the Mountain and Drops It April 13, 2025May 5, 2025 by Zane Glick Stardom in 2hollis’s star April 13, 2025April 16, 2025 by Oscar Heller Bewitched by a Lady March 30, 2025May 5, 2025 by Hudson Warm Two Roads Lager Review: A Fork in the Road March 30, 2025March 30, 2025 by Dorothea Robertson and Theo Kubovy-Weiss Clamoring for Desire in Sophie Kemp’s Paradise Logic March 30, 2025August 7, 2025 by Madelyn Dawson We Finally Have the Real I Love You, Honeybear March 2, 2025April 19, 2025 by Theo Kubovy-Weiss Joy Crookes is Back and Less Smooth Than Ever. Chances Are You Won’t Like It. February 23, 2025April 20, 2025 by Kris Aziabor Think of the Banana: East Rock Brewing Co. Weisse Beer Review February 23, 2025February 23, 2025 by Theo Kubovy-Weiss Kendrick Lamar’s Super Bowl Halftime Show Was Bigger Than a Diss Track February 16, 2025April 19, 2025 by Dorothea Robertson 2hollis Is the Future of Music February 16, 2025April 16, 2025 by Oscar Heller EUSEXUA: The Pinnacle of Human Experience February 10, 2025February 9, 2025 by Diego Loustaunau I Didn’t Like Babygirl… Am I Not a Feminist? February 10, 2025February 9, 2025 by Anna Kaloustian In Great ‘Company’ At The Off-Broadway Theatre February 2, 2025February 2, 2025 by Cassie Watt The Bad Fire: Mogwai’s Awkward Mid-Life February 2, 2025February 2, 2025 by Cameron Jones It’s Happening to Everyone: Ethel Cain’s “Perverts” January 26, 2025January 26, 2025 by Cameron Jones Sex and the Vampire: On Egger’s Full Frontal Nosferatu January 26, 2025April 16, 2025 by Julian Raymond The Seed of the Sacred Fig December 8, 2024December 8, 2024 by Natalie Semmel Faith, Fascism, and Complicity: The Flawed Yet Powerful Message of Bonhoeffer December 8, 2024January 26, 2025 by Dorothea Robertson David Gilmour Searches for Solace on his Luck and Strange Tour November 17, 2024November 17, 2024 by Dorothea Robertson Pressing Pause with Haley Heynderickx November 17, 2024November 17, 2024 by Larry Dunn Deadly Women in The Maiden by Kate Foster November 10, 2024April 16, 2025 by Hudson Warm On Tap: Stella Rose Tropical Mango November 10, 2024November 10, 2024 by Dorothea Robertson and Jack Reed Sapphic Love and Slasher Thrills: The Chaotic Charm of the Fear Street Trilogy November 3, 2024November 3, 2024 by Dorothea Robertson This Pumpkin Cider Is Good Because We Can Barely Taste the Pumpkin November 3, 2024November 3, 2024 by Theo Kubovy-Weiss, Dorothea Robertson, and Lila Salazar Desires of the Flesh: The Substance and the Horror of the Aging Body October 13, 2024April 16, 2025 by Daniel Yim Alvin Ailey’s Legacy on Display: Art, Memory, and Movement at the Whitney October 13, 2024October 13, 2024 by Dorothea Robertson The Contradictory and Undeniable Pulse of SWEAT Tour October 6, 2024October 6, 2024 by Diego Suchenski Loustaunau and Gabriella Cohen “Direction”: Interpol’s Closed Chamber October 6, 2024October 6, 2024 by Calista Oetama What I Watched This Week October 6, 2024October 6, 2024 by Natalie Semmel The Sparkling Singularity of Karla Cornejo Villavicencio’s Catalina September 29, 2024April 16, 2025 by Hudson Warm Michelob Ultra Review: Your Least Interesting Friend’s Favorite Beer September 29, 2024September 29, 2024 by Theo Kubovy-Weiss, Aengus Cox, and Gavin Guerrette Didi and the Desire to Fit In September 29, 2024September 29, 2024 by Victor Attah What I Watched This Week September 22, 2024September 22, 2024 by Natalie Semmel Extinguishing Dissonance in The love it took to leave you September 22, 2024September 22, 2024 by Cameron Jones Crossing: Levan Akin’s Rite of Passage September 22, 2024April 16, 2025 by Robert Gao What’s Wrong With What’s Wrong With New York? September 15, 2024September 15, 2024 by Sara Cao and Oscar Heller MJ Lenderman has Collapsed September 15, 2024April 16, 2025 by Madelyn Dawson The Genre-Bending Soundscape of I LAY DOWN MY LIFE FOR YOU September 15, 2024 by Victor Attah Granola Brown Ale by Black Hog Brewing Co. April 28, 2024April 28, 2024 by Theo Kubovy-Weiss, Harry Greenblatt, Gavin Guerrette, and Aidan Thomas Keep The Tortured Poets Department in Parentheses April 28, 2024April 16, 2025 by Madelyn Dawson L’Orcio: Simple, but Simply Better April 21, 2024April 21, 2024 by Cameron Jones About Vampire Weekend, by Vampire Weekend April 21, 2024April 21, 2024 by AJ Tapia-Wylie Hazy IPA by Black Hog Brewery (6.2% ABV) April 14, 2024April 14, 2024 by Theo Kubovy-Weiss, Aidan Thomas, and Amal Biskin Hachiroku: Home of Coziness and Conversations April 14, 2024April 14, 2024 by Sienna Tejpaul Hog Lager Pilsner April 7, 2024April 7, 2024 by Theo Kubovy-Weiss and Aidan Thomas Oysters at The Luke April 7, 2024April 7, 2024 by James Han and Hardy Eville Immaculate: Not New Enough April 7, 2024April 7, 2024 by Jessica Sánchez Why Dune: Part Two is the Perfect (Adaptation) Film March 31, 2024March 31, 2024 by Evan Fowler Hardy’s Stout Review March 31, 2024April 2, 2024 by Theo Kubovy-Weiss and Aidan Thomas An F1 Fanatic’s Review of Drive to Survive March 3, 2024March 3, 2024 by Evan Fowler BEER March 3, 2024March 3, 2024 by Etai Smotrich-Barr Cold Pizza Pilsner – Black Hog Brewing Co. (5.5% ABV) February 25, 2024February 25, 2024 by Theo Kubovy-Weiss and Aidan Thomas From Visionary to Vulture: The Downfall of Kanye West February 25, 2024February 25, 2024 by Victor Attah What Happened to Growing Up?: A Review on Declan McKenna’s What Happened to the Beach February 25, 2024February 25, 2024 by Bella Panico Atelier Florian February 19, 2024February 19, 2024 by Hardy Eville and James Han Rating Sex Euphemisms February 11, 2024February 11, 2024 by Noah Bradley Seared Into My Brain February 11, 2024February 11, 2024 by Anna Kaloustian Best Songs to Have Sex To February 11, 2024February 11, 2024 by Aidan Thomas, Natalie Semmel, and Theo Kubovy-Weiss Mean Girls The Musical The Movie The Review February 4, 2024February 4, 2024 by Olivia Wedemeyer Transcending Self Through Music: Bob Dylan’s “Visions of Johanna” February 4, 2024February 4, 2024 by George McCain Looking Beyond the Bowl Cut January 28, 2024January 28, 2024 by Ashley Rangel Arroyo Little Rope Yet Again Proves the Necessity of Sleater-Kinney January 28, 2024April 16, 2025 by Madelyn Dawson Yorgos Lanthimos is Weird (again) January 21, 2024January 21, 2024 by Harry Greenblatt May December: What’s Real and What’s Lost January 21, 2024January 21, 2024 by Natalie Semmel Formless Killing Machines December 10, 2023December 10, 2023 by Danya Blokh Harold Recommends (December 10th, 2023) December 10, 2023December 10, 2023 by Yale Herald Best Albums of 2023 December 10, 2023April 16, 2025 by Madelyn Dawson Songbirds and Snakes Comes Up Short December 10, 2023December 10, 2023 by Anna Kaloustian 1 2 3 4 Next
Body Horror, Bingeing and Nineteenth Century Nose Jobs: “The Ugly Stepsister” and “All Flesh” March 29, 2026March 29, 2026 by Hudson Warm
“Wild Nights with Emily”: Historical Revisionism at its Most Charming February 22, 2026February 22, 2026 by Zoe Frost
Eye Contact, Exes, Ethics, and Overexertion: Wasians Take on Sex and Love! February 8, 2026February 8, 2026 by Irene Kim and Josephine Buruma
Darcy Bursts from the Page—Literally—in “Most Ardently Yours” February 8, 2026February 8, 2026 by Hudson Warm
“Naked As We Came”: Funeral, Romance, and Wardrobe Malfunction February 1, 2026February 1, 2026 by Eva Kottou
Freud, Formal, FaceTimes, and Funk January 25, 2026February 6, 2026 by Irene Kim and Josephine Buruma
What Dating Used to Be: Rewatching Sex and the City December 7, 2025December 7, 2025 by Anna Siciliano
“Sentimental Value” Asks “If These Walls Could Speak, What Would They Say?” November 16, 2025November 16, 2025 by Irene Kim
The Knot of the Family in “Sentimental Value” and “New Wave” November 16, 2025November 16, 2025 by Asa Xiao
And There Were Vampires Too! An “In Our Blood” Review November 2, 2025November 2, 2025 by Julian Raymond
You Won’t Want to Watch “Boruto,” and You Should Blame Capitalism. September 14, 2025September 14, 2025 by Zane Glick
To Kill or Not to Kill: Zach Cregger’s “Weapons” (2025) September 14, 2025September 14, 2025 by Julian Raymond
A Scandal So Abstract: A Review of “The Devil Wears Rothko” by Barry Avrich August 31, 2025August 31, 2025 by Hudson Warm
A Dozen Voices Speak in Solo Play Every Brilliant Thing August 31, 2025September 3, 2025 by Aanika Eragam
Skrillex’s Latest EDM Banger Takes the Music Industry to the Mountain and Drops It April 13, 2025May 5, 2025 by Zane Glick
Two Roads Lager Review: A Fork in the Road March 30, 2025March 30, 2025 by Dorothea Robertson and Theo Kubovy-Weiss
Joy Crookes is Back and Less Smooth Than Ever. Chances Are You Won’t Like It. February 23, 2025April 20, 2025 by Kris Aziabor
Think of the Banana: East Rock Brewing Co. Weisse Beer Review February 23, 2025February 23, 2025 by Theo Kubovy-Weiss
Kendrick Lamar’s Super Bowl Halftime Show Was Bigger Than a Diss Track February 16, 2025April 19, 2025 by Dorothea Robertson
It’s Happening to Everyone: Ethel Cain’s “Perverts” January 26, 2025January 26, 2025 by Cameron Jones
Sex and the Vampire: On Egger’s Full Frontal Nosferatu January 26, 2025April 16, 2025 by Julian Raymond
Faith, Fascism, and Complicity: The Flawed Yet Powerful Message of Bonhoeffer December 8, 2024January 26, 2025 by Dorothea Robertson
David Gilmour Searches for Solace on his Luck and Strange Tour November 17, 2024November 17, 2024 by Dorothea Robertson
On Tap: Stella Rose Tropical Mango November 10, 2024November 10, 2024 by Dorothea Robertson and Jack Reed
Sapphic Love and Slasher Thrills: The Chaotic Charm of the Fear Street Trilogy November 3, 2024November 3, 2024 by Dorothea Robertson
This Pumpkin Cider Is Good Because We Can Barely Taste the Pumpkin November 3, 2024November 3, 2024 by Theo Kubovy-Weiss, Dorothea Robertson, and Lila Salazar
Desires of the Flesh: The Substance and the Horror of the Aging Body October 13, 2024April 16, 2025 by Daniel Yim
Alvin Ailey’s Legacy on Display: Art, Memory, and Movement at the Whitney October 13, 2024October 13, 2024 by Dorothea Robertson
The Contradictory and Undeniable Pulse of SWEAT Tour October 6, 2024October 6, 2024 by Diego Suchenski Loustaunau and Gabriella Cohen
The Sparkling Singularity of Karla Cornejo Villavicencio’s Catalina September 29, 2024April 16, 2025 by Hudson Warm
Michelob Ultra Review: Your Least Interesting Friend’s Favorite Beer September 29, 2024September 29, 2024 by Theo Kubovy-Weiss, Aengus Cox, and Gavin Guerrette
Extinguishing Dissonance in The love it took to leave you September 22, 2024September 22, 2024 by Cameron Jones
What’s Wrong With What’s Wrong With New York? September 15, 2024September 15, 2024 by Sara Cao and Oscar Heller
Granola Brown Ale by Black Hog Brewing Co. April 28, 2024April 28, 2024 by Theo Kubovy-Weiss, Harry Greenblatt, Gavin Guerrette, and Aidan Thomas
Hazy IPA by Black Hog Brewery (6.2% ABV) April 14, 2024April 14, 2024 by Theo Kubovy-Weiss, Aidan Thomas, and Amal Biskin
Cold Pizza Pilsner – Black Hog Brewing Co. (5.5% ABV) February 25, 2024February 25, 2024 by Theo Kubovy-Weiss and Aidan Thomas
From Visionary to Vulture: The Downfall of Kanye West February 25, 2024February 25, 2024 by Victor Attah
What Happened to Growing Up?: A Review on Declan McKenna’s What Happened to the Beach February 25, 2024February 25, 2024 by Bella Panico
Best Songs to Have Sex To February 11, 2024February 11, 2024 by Aidan Thomas, Natalie Semmel, and Theo Kubovy-Weiss
Transcending Self Through Music: Bob Dylan’s “Visions of Johanna” February 4, 2024February 4, 2024 by George McCain
Little Rope Yet Again Proves the Necessity of Sleater-Kinney January 28, 2024April 16, 2025 by Madelyn Dawson
